Melodies are rather unmemorable, which renders the harmonies quaint but ephemeral. The recording was well done for its time. If you want to know about this folk group, this is a good starting point, even if it lacks some important tunes as mentioned above. It was only sad that htis CD disappeared from the stores very soon, got almost no promotion and it is so hard to find. It is mostly filled with brazilian popular music and rhythms, like toada, samba, balada, etc. The group formed in , found success thanks to a regional television special featuring them in , and would record four albums and issue a compilation before disbanding at the end of the seventies. It was largely ignored by the public and the general feeling was that the band has become just another generic folk outfit of the time, a faceless group in a sea of other equally talented but undistinguished acts.
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Review by Tarcisio Moura Prog Reviewer. The low point might be "Coisa Miuda", in which the vocals are more irritating than nondescript, but lack of familiarity with the language prevents me from pronouncing any further judgment.
While Almondegas kept the faith in the acoustic format, k,eiton musical tapestry is now adornated with other instruments depending on the style they were now playing strings, accordion, trumpet, etc.
If I had to name a highlight, it would be "Gaudencio Sete Luas", klsiton largely to its flutes and romantic hot summer evening ambiance, with "Barca De Caronte" coming in second thanks to its moody sense of purpose.
Discografias - J.A
If you want to know about this folk group, this is a good starting point, even if it lacks some important tunes as mentioned above. Another duscografia is Haragana, one of their most popular songs ever. The group formed infound success thanks to a regional television special featuring them inand would record four albums and issue a compilation before disbanding at the end of the seventies.
Copyright Prog Archives, All rights reserved. Thanks to ClemofNazareth for the artist addition.
It was largely ignored by the public and the general feeling was that the band has become just another generic folk outfit of the time, a faceless group in a sea of other equally talented but undistinguished acts. The recording was well done for its time. Without a strong background in Brazilian folk, I nonetheless believe that such a populous and musically rich country must have produced far better examples for us to discover, whether progressive or otherwise.
Other sites in the MAC network: The title track is one of discografix most appealing, being a remake of a traditional south folk song telling about the life of the country man.
On the other side it contains a pretty decent collection of songs that represent well the sound of this interesting band.
Kleiton e Kledir - 04 CDs |
Unfortunatly they were hardly the only ones doing that kind of stuff. When compared with their debut, Aqui here, in portuguese shows the band much more confident and confortable at the studio. It is mostly filled with brazilian popular music and rhythms, like toada, samba, balada, etc.
There is very little prog here per se. The sound was simpler, poppier and much more accessible to the mainstream market.
Which was a pity, since it was clear their talent was intact. The lyrics all sung in portuguese are very clever and often humorous. Studio Album, 2.
Of all the songs in the LP the title track showed their dissatisfaction with the overall state of the country, including its political side.
Please consider supporting us by disabling your ad blocker. Although there is little or no prog in here - or even much rock - it is obvious that they were expanding their folk boundaries to new grounds. The musical style remains more or less the same discogrsfia before, but the band has matured both as kledkr and players. Melodies are rather unmemorable, which renders the harmonies quaint but ephemeral.
Good, and for folk lovers, very good. The rock parts are more towards lleiton attitude and approach to the traditional folk music from their region. Studio Album, 3. Although very good, and getting some nice reviews in the musical press, this work was not a kleitkn. Almost everything here has simple, acoustic accompaniment, with very subtle arrangements. Very little here is poor, but even less is remarkably good or progressive in any real sense. Their firstself titled album, is very much a folkish affair, with guitars classical and 12 stringspercussion and the particular vocal delivery from the south.
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